EMILY   NOLA



Emily Nola (she/they) is a curator, writer, and researcher based in the Hudson Valley, New York. Working in research-based and cross-disciplinary methodologies, her work is interested in technology, mediation, and contemporary culture. She is deeply invested in alternative pedagogical strategies and collective practices.


CV  bio 
instagram ↗  are.na ↗   substack ↗  emilylnola@gmail.com ↗





    SELECTED WORK

    PROJECT     TYPEYEAR
25

ASSUME FORM

EXHIBITION

2026
23

IN CONVERSATION WITH 0RPHAN DRIFT

WRITING, INTERVIEW

2026
22

SPEED POLITICS

PROGRAM

2026
21

ASSUME FORM READING GROUP

PROGRAM, RESEARCH

2026
20

THE LIVENESS OF THINGS

PROGRAM

2026
17

NOTES FROM OBLIVION

EXHIBITION

2025
19

ON BECOMING WATER AND WATER

EXHIBITION

2025
18

BIRDSONG BLUES

PROGRAM, PERFORMANCE

2025
15

WHILE YOU WERE OUT

EXHIBITION

2025
9

A HAUNTED HOUSE

EXHIBITION

2024


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EXHIBITION

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RESEARCH


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2025

2023

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THIS SITE WAS LAST UPDATED ON 06.14.26


8    ART LIKE LOVE (ALL!)

TYPE: EXHIBITION

2024

8.1

Art Like Love (ALL!)
Pioneers Go East
August 25–October 7, 2023

An art exhibition and media installation by Pioneers Go East Collective on how queer art is an act of revolution.
Collar Works is pleased to announce Art Like Love! (ALL!), a cycle of films and performance installations by Pioneers Go East Collective and a new series of drawings and sculptures by collaborators Mark Tambella and Paul Simon. Art Like Love (ALL!) draws on DIY, camp, and genderfuck aesthetics to celebrate and develop otherness as a way to see what the queer community is, where it has failed, and how it can grow. The exhibition includes original works merging film, performance installation, and new media created by Pioneers Go East Collective over the past four years. The exhibition also features the work of two current collaborators: a new series of drawings by Mark Tambella and large-scale neon and metal sculptures by Paul Simon. Art Like Love (ALL!) is a springboard for revisiting artists of the 1970s and 1980s, a time when queer art was outside of commercially recognized career pathways and thus was imbued with a political and social activist direction. When queer art became an act of revolution!