EMILY   NOLA



Emily Nola (she/they) is a curator, writer, and researcher based in the Hudson Valley, New York. Working in research-based and cross-disciplinary methodologies, her work is interested in technology, mediation, and contemporary culture. She is deeply invested in alternative pedagogical strategies and collective practices.


CV  bio 
instagram ↗  are.na ↗   substack ↗  emilylnola@gmail.com ↗





    SELECTED WORK

    PROJECT     TYPEYEAR
25

ASSUME FORM

EXHIBITION

2026
23

IN CONVERSATION WITH 0RPHAN DRIFT

WRITING, INTERVIEW

2026
22

SPEED POLITICS

PROGRAM

2026
21

ASSUME FORM READING GROUP

PROGRAM, RESEARCH

2026
20

THE LIVENESS OF THINGS

PROGRAM

2026
17

NOTES FROM OBLIVION

EXHIBITION

2025
19

ON BECOMING WATER AND WATER

EXHIBITION

2025
18

BIRDSONG BLUES

PROGRAM, PERFORMANCE

2025
15

WHILE YOU WERE OUT

EXHIBITION

2025
9

A HAUNTED HOUSE

EXHIBITION

2024


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THIS SITE WAS LAST UPDATED ON 06.14.26


19    ON BECOMING WATER AND WATER

TYPE: EXHIBITION

2025

5.3

On becoming water and water
Odessa Straub
Collar Works, Troy, NY
October 11- December 1, 2025

Collar Works is pleased to announce On becoming water and water, a solo exhibition by Odessa Straub. The exhibition includes a range of Straub’s sculptures and paintings from the past several years altered and transformed for this presentation.On becoming water and water transforms Collar Works’ temporary home at the former Union Bank. Studded by draped fabric walls, the space interchangeably evokes grand, theatrical space and cozy, intimate dwelling. On view is a selection of Straub’s paintings and sculptural works, which make re-use of various textiles, found objects, and discarded items of clothing. For Straub, clothing can become a form of armour in public, a persona to guard oneself. Here,these personas are shed: not necessarily discarded, but reused and reanimated. Items that once served as protection now float and flutter in water-filled vessels, evoking ocean life and newly-emerging ecologies. On becoming water and water reimagines the exhibition– normally a space of stagnacy– as a moving body of water: facilitating growth and transformation.